I grew up in a small Kansas town where you had to make your own fun.
For me, 'fun' consisted of lying on my bedroom floor for hours on end listening to my single-deck "ghetto blaster" with my little sister, cutting pictures of big-haired, lipsticked men out of Circus magazine.
When I was 12, I was introduced to "heavy metal," and it became my life. I loved the riffs, those raspy voices, the gritty LA scene (even though I'd never been to California, I read plenty about the clubs along the Sunset Strip and the bands that ruled the area). I plastered my bedroom walls with pinups of Vince Neil (during his fishnet phase), Def Leppard (during their one-armed drummer phase) and Jon Bon Jovi (during his ... wow, he really has always looked the same, hasn't he?)
Course now I realize that music was about as 'metal' as Vanilla Ice is 'rap.' But I digress.
Because my town was so small ... and so ... uh ... Kansan, and because this was in the 80s before the Internet, I had to put a lot of work into this hobby. I couldn't just jump on YouTube and find my favorite Motley Crue or WASP video. I had to watch MTV for eight hours, waiting for that five-minute piece of heaven. (I still remember the day the "Girls, Girls, Girls" video debuted. MTV, which usually saved hard rock for Saturday nights between 11 and 2 a.m., had generously decided to play the video every hour on the hour. It was the best day EVER).
I think about kids now, and the ease with which they download their music, and it's sad to me. There's no anticipation, no precious waiting. For me, that was most of the fun. Reading articles for MONTHS before a new album dropped, talking with friends about whether the band would release a hard-rock single first, or the ballad first. Would they do a video? And would Tawny Kitaen be in it humping a car?
These days, we're bombarded with new music. A song is popular for about a pico-second, and it's on to the next thing. Everyone's in such a hurry to MOVE ON that the musicians don't even wait for a song to drop off the charts before doing a 'remake.'
Take that stupid "Umbrella" song. There are at least three versions I've heard, from three different artists, and I feel like they all came out the same day. Who did it first? Who wrote it? Oh wait, dumb question. There's only, like, one writer in the U.S. That Scott Storch guy writes everyone's songs while wearing that douche hat and thouse douche gold chains, and then all the artists play 'rock, paper, scissor' to see who gets to sing it first. No one even writes their own shit anymore. Not only that, but the grammar's bad. ("Does his gifts come from the heart?" - uh... Come on, Backstreet Boys. Fourth grade much?).
Believe me, I know there's good stuff out there. You just have to look harder nowadays, shoveling through all the absolute shite littering the air waves. It just didn't used to be this hard.
OK I'm getting way off topic.
I just remember being a kid, and being friggin' HUNGRY for new music, and then a bunch of stuff would come out and I'd feel satisfied. Don't get me wrong. I know the music industry was manufactured back then, too, but dude, those bands, at least, were real. They'd all played the bar circuit trying to get noticed, they'd all lived in shitty apartments, and they wrote their own STUFF. When I saw the Guns N' Roses "Welcome to the Jungle" video for the first time, I felt SATISFIED and soo incredibly hyped, to the point of not being able to sleep. Alright I was weird, did I ever say I wasn't?
Just a couple of stories - the hardships and the payoffs:
My sister reminded me recently about how, at 13 when I wanted to get Bon Jovi's "7800 Degrees Fahrenheit" album, it was BLIZZARDING outside. I made my mom drive me anyway, and by the time we got home, the power was out. BUMMER. I rummaged around in the junk drawer and found batteries for the ole 'ghetto' and listened by candlelight till 2 in the morning.
When Girls Girls Girls came out in the summer of 1987, my sister and I WALKED five miles to the music store first thing that morning to get it, only to find they didn't open till 11 a.m. Then we went to Alco (2 miles away). Didn't have it. Then we went to K-Mart (another half-mile away). There, we were assaulted by an old man masturbating inside his overalls in front of the door... ("Hello Ladies!" jerk jerk jerk) ...
It was like the cosmos was saying, "If you can get through this obstacle course, kids - 110 degree heat, speeding cars, masturbating men - you can have the album!" We eventually made our way back to the music store, cause it was 11 a.m. by then.
And lastly: my mom would make me go to church on Saturday afternoons, or I couldn't stay up and watch Headbangers' Ball that night. She knew I wouldn't be able to stay up till 2 a.m., when the show ended, and then get up to go to church at 8 a.m. on Sunday. What middle schooler WILLINGLY goes to church at 5:30 on a Saturday?
But it was worth it, man. I would sit wide-eyed, inches from the TV, constantly toggling the volume buttons ... trying to hear, but trying not to wake the snoring parents down the hall. It was my weekly crack.
Now, you'd just TiVo Headbangers Ball and watch it the next day. Hmph.
These days, I'm an iTunes freak. But I do find that I don't savor new releases as much, even those by my favorite bands. I think it's because there are no memories attached to them. There's no blizzard, no masterbating grandpa. No hardship, no waiting.
So here's my plan, ill-conceived as it may seem:
I'm going to stalk Mike Patton (of Faith No More, Mr. Bungle and Peeping Tom fame).
It's totally the type of thing I would have done with my sister or friends - case a hotel looking for a touring rockstar, and then conspire about how to break in and steal a pair of his underwear. It's feet on the pavement, it's anticipation even if I never really see him. Patton lives in San Francisco ... very near me ... so why not? I'm also going to get into Vince Neil's gated community if it kills me. He lives in Blackhawk, also near me. That's not considered stalking, because I'm not going to pursue him over time, like I will Mr. Patton. :) With Vince, I'm going to see if I can get in once, get an autograph, and that'll be that. (I'm over the fishnet stalkings, I guess.)
Hear that Mike? It's going to be systematic. You'd better get a pit bull or a pirhana.
OR...Plan B: Do another Peeping Tom album.... And drag it out a year, hype it up, get us all excited.
And then blow our minds. :)
No need for a video featuring Tawny Kitaen, though (she's a husband-beating hag these days anyway). Just you and your glorious, non-Storch talent.
** p.s. for those of you who don't get the Kitaen reference, go to YouTube, that lovely digital memory bank, and look up Whitesnake's "Here I Go Again."
*** p.p.s. OK just kidding on the Patton stuff. Don't call the cops. I mean, I'm gonna do it ... the stalking I mean ... but ... just ... don't call the cops.